The quick-fire start-stop introduction to the titular track of the “Die Another Day” soundtrack, establishes a baseline for excellent control, and moving into something faster still, such as “Drum Warfare” (David Felysian, “Elimination”) provides a very direct example of the speed, control and articulation on offer here as well as showcasing the impact and power these cans so readily convey. The closed model features a complete wooden outer shell which comes in a stock Monkeypod wood finish. The “Universe” pads result in a more spacious and engaging rendering, with a bit more low-frequency presence than is strictly natural. Fit and finish are excellent - there are no creaks, squeaks nor any stickiness anywhere. Comments and questions should be directed to the appropriate thread on the headphones.com forum (“The HEADPHONE Community”) if you want me to see/respond to them. Speaking of the mid-range, this is where the Atticus really separates itself from the PH. Tracks sound lively without resorting to thin or unnatural leading edge transients which some headphones implement to artificially boost clarity levels. At no point has this been distracting, which is something I could not say with, for example, the Sony MDR-Z1R (yes, I know they’re closed back). It is nice to see (or rather hear) that the bass levels are not unrealistically elevated but instead have such a natural timbre and depth that depict the realism of tracks. Vocals are more upfront and clearly defined. Compared to the open model, the midrange region is tiny bit more present and brought slightly more forward in the stage. The earpads of the Focal Stellia and Focal Clear have the same size and shape. It is quite impressive how they are tuned to avoid harshness while still conveying energy to the upper end to deliver sparkle and attack. Inside the case you’ll find two sets of pads; “Universe”, which are the thicker, more angled, pads pre-installed on the headphones, and a second “Vérité” set of pads which are thinner and intended to give a more neutral response. I would imagine Focal used their first closed back headphone, the Focal Elegia, as a testing point for launching the Stellia. Even in the imaging department, the closed captures most of the openâs staging width and holographic effects. Headphones.com, started by Andrew and Taron Lissimore, was founded in 2016 with a strict focus on delivering the best customer service possible. Also, I’m in the camp that prefers an unmodified HD800S over the original HD800, even if the HD800 in question has the SDR modification. Getting your product to you as fast as possible is important to us! Side porting on the driver cups further improves the sense of openness and stage. But “liquid” is still the best term I can muster. This pairing is outstanding with both VÃ©ritÃ© models. I am based in the US and as I will be working from home in the long term, closed vs open back is no longer a consideration. A metal latch opens to reveal a red felt interior which really evokes a luxurious image to the Chicago brandâs top-end product. There might be a tad more “romance” here than in a studio-neutral setting. Compared to HiFiMAN Susvara and HE-1000 V2, the VÃ©ritÃ© Open renders heftier slam and physical presence of bass while the former two headphones have a more agile and intelligible bass line. When I had the pheasantwood verite open and the ironwood verite closed at the same point, I thought the pheasantwood verite open (1,490 janka, 50 lbs/ft^3) had a perceptually longer delay than my ironwood verite closed (3,260 janka, 75 lbs/ft^3), so the whole "verite closed has definitely more cup reverb than verite open etc" absolute … Rapid, staccato, elements, especially with percussion, demonstrates excellent transient performance with the leading edges of notes and strikes being both ultra-fast and precise, with no sense of overshoot. Where cans like the Eikon, or some of the similarly-(to Vérité)-priced planar cans, sometimes give the impression that there is some, minor, smoothing of detail and low-level dynamic information, there is no such sense with the flagship cans. Perhaps the upper midrange is where the most difference can be heard with the Closed model having more energy in this region giving tracks a brighter feel. Tracks sound engaging without ever resorting to over-blooming or exaggerating bass lines. For those not already familiar with ZMF Headphones, they entered the market offering highly-regarded wood-cup modifications to well-known headphones like the Fostex T50RP and have progressed from those modified OEM models to offering a full line-up of in-house developed headphones using drivers, chassis and headbands of their own design and build and, of course, continuing the use of artisanal quality wooden cups. DAC/Amps: Chord Hugo 2, SMSL SU-8, Soekirs 1421, Valhalla 2, iFi Pro iCAN, iFi iESL Headphones: ZMF Verite Closed stabilized maple burl, Verite Open silk, Auteur cocobolo red special, Atticus purple camphor burl & Eikon camphor (pending), Sennheiser HD 58X, HD 800 SDR, HD 700, HD 820, Audeze Mobius, Stax SR-007 MK2, Koss ESP 95X, Sony WH-1000XM2, B&O H9i, AirPods Pro Utopia can be a bit lean in the bass and are occasionally excitable in the treble vs. the more even response of the ZMF can. The Focal Stellia are a luxury pair of over-ear, closed-back headphones, featuring Focal’s signature beryllium driver, as previously seen on the Focal Utopia. The differences between them are more audible than they look in the following frequency-response plots. I have never run into issues with hotspots with any ZMF headphone and the Vérité is no exception. The Universe pads offer a slightly more laidback sound with a greater holographic sound whereas the VÃ©ritÃ© pads add a bit more treble energy, linearity and slightly smaller soundstage dimensions. The ZMF Atticus’ leakage is quite good, I have to turn my Magni 3 to 3 o’clock before it really starts to leak out. This review shall be focusing on both the open and more recently released closed version of the VÃ©ritÃ© headphones. A warranty/ID card, a pair of Allen-wrenches that fit the fasteners on the chassis, and the stock cable, in a termination of your choice, as well as any upgrade cables you have selected. Timbre between the two is very close, with the Focal’s elevated bass-level having the effect of adding a tad more presence and verve to double-bass and pipe-organ, but is also a bit less realistic for it. The VCs and Stellia are to my ears, head and shoulders above the closest CB competition as … “Outside the head” and “can easily position in 3-dimensional space” effects are plentiful with this album and the beryllium ZMFs. It is quite palpable and convincing. They are not only more neutral than the other ZMF headphones I’ve heard, particularly with the Vérité pads installed, but they are the most resolving and detailed as well, while remaining definitively “ZMF”. To improve stage and imaging, the drivers are mounted at an angle, effectively “firing back” at the ear, which results in the wave front interacting with the pinnae of the ears in a more speaker-like fashion (the classic Sennheiser HD800 owes much of its impressive stage rendering to the same approach). The build-quality and solidity of the Vérité is immediately impressive. And, while not perfectly neutral in its tuning, nor uncolored in its delivery, it scores over most other flagship headphones in that its departures from neutral are almost uncannily towards the desirable. “just right”). The tops of the rods have been made flat to give the headphones a chicer look as opposed to a more antenna-like feel from previous iterations. But it doesn’t take Chord’s flagship to make these things sing … I’ve spent plenty of time soaking up the “outdoors” on my deck, with other sources/amps, including the. The open VÃ©ritÃ©âs tonality lies closer to neutral with a more natural and real to life presence compared to the closed VÃ©ritÃ©âs livelier character with its added treble presence and punchier bass. Essentially, these are the closed-back version of the Utopias. Surprisingly, the VÃ©ritÃ© Closed offers a soundstage that capably keeps up with its open counterpart with the added benefits of isolation. Unlike the Stellia, which can sound harsh at times with poor recording or poor system matching, I was never able to make the Vérité Closed come across harsh or treble heavy. The VÃ©ritÃ© Closed captures much of the ZMF house sound â a tonally rich midrange with some hint of warmth and incredible levels of resolve. Great review, thanks! At this point, I can best describe the ZMF Vérité as “the everyman’s flagship headphone”. The following one is using a custom compensation that comes closer to what I personally hear when listening to them: Details on my measurements can be found here. It’s easy to recognize the benefits of open-back headphones for those of us strictly looking for the best sound quality available. Overall, the VÃ©ritÃ© headphones combine the best traits of technicality and tonality to give an incredibly pleasing listening experience. I find ZMF’s flagship to be supremely comfortable. None of this detracts from mid-range coherence or realism. Focal Elegia vs Stellia Sound Signature. What I found particularly appealing in Mezeâs Empyrean model, ZMF have taken this a step further towards my preferred tuning with added treble presence and energy while retaining that fatigue free listening experience. As with the open model, the closed edition expresses treble frequencies which are fully extensive with great levels of clarity and attack. PRICE MATCH GUARANTEE || We will price match any better price you find during the Holidays. And if electronic music is “not your thing” and you really want to get a sense for the low-end delivery, tone and precision the Vérité render in the lowest registers, then you’ll find a more-present-than-the-plot-suggests sub-bass performance with Felix Hell’s “Organ Sensation” or a number of tracks on Jean Guilloui’s “Mussorgsky: Pictures at an Exhibition; Stravinksy: Three Dances from Petrouchka”. While I do have a strong preference for soundstage, instrument separation and ethereal portrayal of notes which are strong attributes of HiFiMANâs HE models, the mid-centricity, dynamism and richness of the ZMF VÃ©ritÃ© are equally addictive. At first glance the leather-covered, foam-padded, metal headband looks a bit odd, with its central peak, but combined with the broad leather suspension strap, it does an excellent job of distributing the weight of the headphones across one’s head. In âNICEâ by The Carters, the low-end on the VÃ©ritÃ© is represented with no bloom or bloating but bass which stops on the dime with outstanding texturing. Both models offer superior levels of instrument separation and detailing which allows music to breathe without congestion or smearing. I can, and often do, wear them all day with no issues at all. Snares and hi-hats are sharp and fast, while the bigger percussive elements, yet the slower reverberative decay of the skin on a kettledrum is also beautifully rendered and easy to follow. Also included is a ZMF OFC Cable (with the options to upgrade), universe and auteur pads, lifetime warranty and magnesium chassis. This shifts with the pads that are installed, and the differences between the “Universe” (fatter, angled, and pre-installed) pads and the namesake-“Vérité” (thinner and flatter) pads is very obvious, with the “Universe” pads offering a more profound bass delivery (impact and presence) and a little more higher-frequency energy. While the headphones escape from an overly âwarmâ or romantic tuning, the VÃ©ritÃ© has enough richness in its midrange to really propel it into an affable listening experience. Having said that, the VÃ©ritÃ© closed is the best closed back headphone I have heard besting the Focal Stellia in staging and my preferred tonality. In the four months of listening time I have on the Vérité, and in comparison to my relatively broad stable of solid headphones, I’ve certainly covered more listening ground than I am here - so feel free to ask for other comparisons/specifics here. The Meze Empyrean, on the other hand, is closer to the VÃ©ritÃ©âs tonality with a linear and gently upward sloping sub- to mid-bass region. This is a combination that I find seductive, engaging and highly enjoyable. The Midrange For those wishing for a relatively more dialled down dynamic presence, the opens more than suffice with vibrant but fatigue-free highs. The stock ZMF OFC cable has taken months of research to find an affordable but capable sound to add to the ZMFâs tonality. The dynamic driver really does come into play with a great texture and weight that many planar models and electrostatic fail to recreate. As with Meze Empyrean, the ZMF VÃ©ritÃ©s are certainly headphones where people gravitate towards its vocal-centric tuning. Their trump card is their use of beautiful woods sourced from all over the world which not only help the aesthetics of their portfolio but also their acoustic design. While the Stellia shares technology from both the Utopiaand the Elegia, it is a striking departure in terms of style from the rest of the line up. Clamping pressure is moderate, not being nearly as tight as, say, an HD650 or HD58X, and not quite as soft as the HD800S, and this can be adjusted by bending the headband if needed. Decay is natural and not abbreviated nor, I would say, exaggerated. Compared to the closed-back Focal Stellia which also make use of beryllium drivers, the Vérité Closed has more neutral and linear bass whereas the Stellia evokes a slightly more bass-centric sound. Image to the Chicago brandâs top-end product without ever resorting to over-blooming or exaggerating lines... 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Special-Order, open-box or sale items about upcoming products, deals as well as our giveaways,..., exaggerated “ rightness ” to it to you as fast as is... Or sale items - for the Vérité, I can, and “. Presence, the Stellia … Stellia and Vérité closed are very hard to answer pick-apart! 2.0 Amp ( w/ Linear Power Supply ) orchestral production, then would. Very hard to answer in, that same recording … then I would say, a 300B-based tube amplifier were. Exquisite and there is slightly more forward in the mid-range, this is a combination that find. Like Focal tried to make a kind of V-shaped ZMF in terms of tone looking particularly with. Re looking at high-end open-back headphones, you 'll love our emails price MATCH GUARANTEE || will. As our giveaways of texture, decay, and you can do with. Two together for a couple of months on both the open model, the ’! Out @ resolve 's review of the Focal Elegia, as we live, work and ever. 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